Posted by on September 7, 2019 2:58 pm
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Categories: µ Newsjones

A terminally ill matriarch gathers her family together before she ends her life in a starry, but flat, drama that lacks insight and compelling conflict

More than any other major festival, Toronto is quite often blinded by stars. A smattering of of recognisable faces in a film can distract programmers from a small thing like quality and so the lineup reliably features at least four or five flashy but time-wasting disappointments, forgettable films that will live and die at the festival, pre-premiere hype evaporating by the time the credits roll.

Related: Hope Gap review – Annette Bening stumbles in empty divorce drama

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